I had resolved to avoid the familiar subjects here in Maine—things like lighthouses, fishing boats, and waves crashing on rocks. But I was beguiled by the power of the waves at Pemaquid Point, and couldn't resist painting it in gouache.
In the video, I thought I'd try a slightly different kind of voiceover, sort of a video essay that considers the relationship between abstraction and realism. (Link to video on YouTube).
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