Anna Airy's Industrial Art

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Anna Airy's Industrial Art

Anna Airy (1882-1962) painted plenty of genteel portraits and delicate flowers, but she also portrayed gritty industrial scenes, and that's what I want to feature in this post.

Anna Airy, Shop for Machining 15 inch Shells
She was born in Greenwich, London in 1882. Unfortunately her mother died soon after she was born. Her father, an engineer, supported her interest in art.



At age 17 she enrolled in the Slade School of Fine Art. Slade offered art classes to men and women working in the same classroom, unusual at the time. Teachers such as Henry Tonks and Philip Wilson Steer encouraged a form of Impressionism founded on good drawing and accurate perspective.

Anna Airy, An Aircraft Assembly Shop, Hendon
In 1914 she was one of only four women artists commissioned by the British Government to work as a war artist. She focused on portraying the activity inside the munitions factories, where female workers were crucial to the war effort.



She often labored under dangerous conditions. In painting a shell forge, she faced the extreme heat of red-hot shells. "No matter where I stood," she said, "I'd have some rolled to within a few feet of me. I never felt such heat." The ground became so hot that her shoes were burnt off her feet.

Anna Airy, A Shell Forge at a National Projectile Factory,
Hackney Marshes, London, 
1918
The men of the factory floor rigged a shield of corrugated metal to protect her from the heat, "but the red hot shells would be rolled right against my screen —which acted like an oven, with me inside! Often, too, the shelter would fall over and send me and my easel flying."

Anna Airy 
She wrote two books: The Art of Pastel in 1930 and Making a Start in Art in 1951, and she exhibited in the Royal Academy Exhibitions and the Paris Salon for many years.
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Anna Airy  on Wikipedia
Online article: The First World War Art of Anna Airy, Imperial War Museum
Online article: War art: Shop for machining 15-inch shells
Thanks, Blair Updike for your article in the Portrait Society Journal

Related post: Heinrich Kley's Demons of Krupp


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