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Title : Are Comics Respectable?
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Are Comics Respectable?

Micheal, a community college student in Idaho, asks:

Jack Kirby (1917-1994) at his drawing table

a) Do you consider comics and graphic novels to be an art form? Is it a respectable one?

Yes, comics are an art form. Like movies, they are a form that can communicate stories, characters, emotions, and ideas. They can be a showcase for a variety of styles of drawing and writing, and an infinite range of moods. There's nothing about the form that makes them respectable or less than respectable. Quality work in any art form is always worthy of respect. But you'll also find uninspired, mannered, and derivative work in any art form, too.

Lynd Ward, illustration God's Man: A Novel in Woodcuts

b) Do you feel that a book with illustrations has less literary merit than one without?

It's a circular question, because the term "literary" usually refers to the world of writing, not that of pictures. So an illustrated book isn't strictly "literary." But if you're talking about artistic merit, my answer would be yes, an illustrated book is entitled to be regarded as a work of art. The merit has nothing to do with the form, but rather with how well the work is executed and how successfully it communicates to its audience.

Conventional critics and professional associations coalesce around art forms that are familiar and popular. Literary critics often don't know how to respond to illustrated books for adults because there aren't many of them. It's rare to find a critic who can respond intelligently to the unique synergy between art and writing.

Superman comic from 1938
10 cent investment; $3.2 million auction record

c) As a person who has studied the masters and been heavily involved with art education, do you feel that comics and graphic novels are fairly represented in the professional art world?

Are comics fairly represented? Probably not, but they have certainly made a splash in the professional art world. In the world of auctions, a comic book has sold for millions of dollars. Important galleries specialize in comic art. Cartoon art has been featured in museum shows everywhere from Chicago's Museum of Contemporary Art to the Norman Rockwell Museum. Art schools offer classes in sequential art. Professors in leading universities have specialized in dissecting the the language of comics. There are books recounting the history of comics. And there are professional awards, professional associations, and popular conventions.

So you can tell your parents that comics have earned a place in the professional art world. That doesn't mean it's easy to make a living in comics. And I'm not sure all that gold-plated respectability is always a good thing for any art form. Has the existence of the Academy Awards led people to make better movies? Probably not.

As we think about honors, awards, and auction prices, let's not forget the silly fun of comics, the flashlight-under-the-covers thrill of comic books that your parents don't want you to read, the over-the-top craziness of experimental comics that authorities frown upon, the guilty pleasure of comic books rescued from the dumpster, thrown there by someone who told you to read something more educational.

Being in the Hall of Fame is fine, but the most vital art forms always have one foot in the back alley. Shakespeare wrote for the Globe Theater, which was a raucous, bawdy place for commoners. Mozart's operas were written for low-class working folks. Bob Dylan wasn't thinking about the Nobel Prize for Literature when he wrote his guitar lyrics. He was just trying to channel something deep and ancient, doing it first and foremost for the crazy love of it.

Book: Comics: A Global History, 1968 to the Present
Understanding Comics: The Invisible Art

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